WEBVTT 1 00:00:00.000 --> 00:00:03.040 We'd like to say aloha and welcome to Lani Records 2 00:00:03.480 --> 00:00:10.760 We are here at ʻAulani on the west side of Oʻahu, and we are here with Kama Hopkins. Hey aloha. Aloha everyone. 3 00:00:12.120 --> 00:00:19.680 We'd like to speak with Kama about his family life family traditions. He's very deep rooted on musical 4 00:00:20.680 --> 00:00:24.120 Influences in his family. We all know them here in the islands and 5 00:00:26.740 --> 00:00:28.740 Let's start with 6 00:00:29.220 --> 00:00:33.920 The first person in you guys family that ever like really 7 00:00:34.640 --> 00:00:36.640 Well, yeah, I do that. Oh 8 00:00:37.720 --> 00:00:39.360 I think music 9 00:00:39.360 --> 00:00:46.760 Yeah, I think in in my generation well telling telling everyone a little bit about my family and the way we grew up 10 00:00:47.640 --> 00:00:52.960 Most people know Auntie Genoa Keawe, you know, and I was fortunate... 11 00:00:53.960 --> 00:00:56.640 So, Auntie Genoa, her oldest sister... 12 00:00:57.440 --> 00:01:00.320 was my great-grandmother Esther [name unclear]. 13 00:01:01.960 --> 00:01:09.240 They were all Adolpho/Adolfo [spelling to confirm]; they all came from the Adolpho/Adolfo family. 14 00:01:10.320 --> 00:01:12.320 When we were growing up I 15 00:01:13.830 --> 00:01:16.870 Learned the story of how my grandma moe B 16 00:01:16.870 --> 00:01:22.390 Cahabara started to play music my grandma is one third of a group called the bee sisters 17 00:01:22.390 --> 00:01:28.910 And if most of you out there have heard the song. Oh, we're going to a who kilo 18 00:01:29.270 --> 00:01:32.870 They are the ones that first recorded it with John Camilo. I'll meet up 19 00:01:33.430 --> 00:01:34.350 and 20 00:01:34.350 --> 00:01:41.590 For for us in our family, you know growing up I spent many a day in my grandparents house and 21 00:01:42.190 --> 00:01:46.750 We didn't we didn't know that Hawaiian culture was in any type of trouble 22 00:01:46.750 --> 00:01:53.550 I mean my when my grandma passed away, you know, she had been playing music for over 70 plus years 23 00:01:53.550 --> 00:01:58.460 And she died at the age. I think that was 94, you know, but 24 00:01:59.780 --> 00:02:05.380 You know for 70 70 plus years of that she was she was playing music, you know 25 00:02:05.620 --> 00:02:09.220 Professionally and started singing even before that 26 00:02:10.020 --> 00:02:11.180 so 27 00:02:11.180 --> 00:02:18.060 But for for me growing up we grew up around music we grew up around hula and I was actually lucky on both sides of my family 28 00:02:18.580 --> 00:02:20.580 The Hopkins side as well 29 00:02:21.300 --> 00:02:23.300 good fun 30 00:02:23.340 --> 00:02:24.700 Musicians 31 00:02:24.700 --> 00:02:29.220 We had composers one. I think one of the more famous ones 32 00:02:29.900 --> 00:02:35.060 Was a lady by the name of anti noi noi. She was my grandfather's sister 33 00:02:35.420 --> 00:02:38.620 And she had a couple of different last names, you know, yes 34 00:02:38.980 --> 00:02:44.740 Some did, you know, but at one time she was one-third of the Halle Kulani girls 35 00:02:44.740 --> 00:02:47.260 Wow, so she she was also in that 36 00:02:47.780 --> 00:02:51.660 That group so I had music music surrounded me my whole life 37 00:02:52.660 --> 00:02:55.100 music in hula, but 38 00:02:57.870 --> 00:03:04.070 When I was a child, I actually did not want to have anything to do with music 39 00:03:04.510 --> 00:03:09.550 You know, I mean because we were surrounded by it when birthdays came 40 00:03:10.790 --> 00:03:17.750 Holidays came we could not eat any cake. We could not open any presents. We could not do anything because 41 00:03:18.630 --> 00:03:22.830 Grandma was out playing music. So we had to wait for grandma to come home 42 00:03:22.830 --> 00:03:28.390 And then sometimes we had to wait till the day after you know 43 00:03:29.350 --> 00:03:30.470 but 44 00:03:30.470 --> 00:03:32.950 You know growing up 45 00:03:33.070 --> 00:03:35.310 Going to school eventually at Kamehameha 46 00:03:36.470 --> 00:03:41.950 Dancing more hula for your uncle actually, you know and and the Kapaholo Kamehameha 47 00:03:41.950 --> 00:03:44.140 I got out of my school 48 00:03:44.540 --> 00:03:48.020 You know, but being being around there singing in the concert glee club 49 00:03:48.020 --> 00:03:53.180 My dad took me to sing barbershop music. So I was singing that when I was in intermediate school 50 00:03:54.220 --> 00:03:57.380 You know, so singing singing was just part of my life 51 00:03:57.740 --> 00:04:03.180 And I really enjoyed it, but I never really learned to play a lot until I went to go work 52 00:04:03.780 --> 00:04:07.780 For an uncle of mine that I never really knew at the time, but got to know very well 53 00:04:07.780 --> 00:04:14.780 His name is Cybridges, you know out at the Polynesian Cultural Center. So I got to play a lot more ʻukulele out there 54 00:04:15.420 --> 00:04:17.710 but you know, it wasn't until 55 00:04:18.710 --> 00:04:20.710 The early 2000s 56 00:04:20.750 --> 00:04:24.590 When a friend of mine, you know Keola Chan. Oh boy 57 00:04:24.630 --> 00:04:29.750 He heard me sing one or two songs with my with my cousin Pomeka and 58 00:04:31.520 --> 00:04:35.560 You know, he said hey, why don't you come play down play, you know down at the shorebird restaurant 59 00:04:38.680 --> 00:04:42.720 Yeah, and so he started me on it, but this is a funny story 60 00:04:43.200 --> 00:04:49.080 So he saw me playing music. He saw the kind of music I played I sang songs that my uncle Gary 61 00:04:49.520 --> 00:04:51.320 Uncle Sam 62 00:04:51.320 --> 00:04:54.760 Played and sang and so he really wanted 63 00:04:55.440 --> 00:05:01.640 Songs like that to be done at the shorebird. I think I'm a little strolling and strolling music was still big back then 64 00:05:01.640 --> 00:05:06.350 Yeah, you know and so and then this was like I said in the early 2000s and 65 00:05:07.710 --> 00:05:11.870 When we're driving down, he came to pick me up one night came to take me down 66 00:05:12.270 --> 00:05:16.510 We're driving down. He says, okay here. We're playing these keys. These are the songs we play 67 00:05:16.790 --> 00:05:20.670 You know into a swing vamp here and they said that I looked at him. I said, what's a swing band? 68 00:05:21.150 --> 00:05:25.190 He says, oh, you know, you play this chord this chord this person. I don't I don't want to play this chord 69 00:05:25.950 --> 00:05:30.840 He looked at me with a look like this like confused. Yeah confused 70 00:05:31.480 --> 00:05:33.960 Yeah, but you're your momie 71 00:05:34.520 --> 00:05:41.160 Bees grandson and you just played and you sang well. Yeah, but I mean I don't I don't play music 72 00:05:41.560 --> 00:05:47.660 What and literally as we're driving and this is very bad, so don't copy 73 00:05:48.020 --> 00:05:51.780 But he was driving his Volkswagen van that you have to shift 74 00:05:52.020 --> 00:05:55.740 So he's driving with his knee and he told me to give him the ʻukulele 75 00:05:56.300 --> 00:06:02.140 So I give him the ʻukulele and he's teaching me as we're driving from Kāneʻohe down to Waikīkī 76 00:06:02.780 --> 00:06:07.980 How to play these courts so I take it and I try to say no no no here like this 77 00:06:08.180 --> 00:06:10.180 So he plays it again 78 00:06:11.740 --> 00:06:17.260 Yeah, and so I practice but I got the gist of it and that night I played 79 00:06:17.500 --> 00:06:21.660 You know in these different keys that I don't normally play in you know 80 00:06:21.660 --> 00:06:24.220 He had to teach me all these courts, but it was super fun 81 00:06:24.220 --> 00:06:28.780 How long was it right from the house soon? It was it was really only about a little more than a half hour 82 00:06:29.180 --> 00:06:36.380 So it was really quick cost. Yeah, but not no pun intended. Yeah, but after that night 83 00:06:37.020 --> 00:06:44.500 He sent me to another friend to go really learn how to play ʻukulele and even though this friend says don't tell anybody 84 00:06:44.500 --> 00:06:49.780 I thought you ought to play. Oh, I know but uh, I went to Kamuela Kimokeo's house 85 00:06:50.380 --> 00:06:57.700 So his dad Uncle Kimo Kimokeo was actually the one that kill a call and I'll who had Kamuela 86 00:06:57.940 --> 00:07:04.180 Teach me and so Kamuela and I we started to play together the shortbread restaurant. Here's the funny story 87 00:07:04.540 --> 00:07:09.940 So, you know before before Keola sent me to the Kimo Kimokeo's house 88 00:07:10.700 --> 00:07:16.640 Kamuela and I first met I went to pick him up. I used to drive this my auntie's beat up 89 00:07:17.500 --> 00:07:24.020 Nissan truck that had rust, you know in it and and Kamuela saw the truck and he said, oh, how are we going to like you? 90 00:07:24.020 --> 00:07:25.100 It's all right in my truck 91 00:07:25.100 --> 00:07:28.820 Just put your guitar right in the back and as we're driving on the freeway 92 00:07:29.060 --> 00:07:34.660 Here comes the Ross, you know flying off of the truck and we're laughing and Kamuela is like, oh my gosh 93 00:07:34.660 --> 00:07:36.820 I think I'm gonna die, you know with this guy and 94 00:07:37.620 --> 00:07:40.940 Kamuela looked at me and thought I was a falsetto singer 95 00:07:41.460 --> 00:07:47.140 You know, and I didn't know how to sing anything else but falsetto. We really never met, you know before that 96 00:07:47.380 --> 00:07:51.180 So in this first time meeting and first time playing together 97 00:07:51.180 --> 00:07:55.140 I strung my ʻukulele the first time and I think I sang 98 00:07:59.820 --> 00:08:02.620 And Kamuela looked at me when he's playing 99 00:08:04.210 --> 00:08:08.570 Yeah, he confessed to me at the break. He said, you know, I thought you're gonna be this guy 100 00:08:08.570 --> 00:08:13.770 That I just could not listen to all night long only singing this one type of wave, but yeah 101 00:08:15.130 --> 00:08:17.050 But he loves you 102 00:08:17.050 --> 00:08:22.650 But he he said it became the easiest, you know easiest thing to do 103 00:08:23.170 --> 00:08:25.170 just to sing and have fun and 104 00:08:25.330 --> 00:08:32.140 And so, you know, so it was after that that that's when Keola said, hey, so you've already played with Kamuela a couple times 105 00:08:32.140 --> 00:08:34.140 Yeah, he's so good. It's a good 106 00:08:34.420 --> 00:08:39.940 Because I'm gonna send you to, you know, their their family to learn how to play the ʻukulele because you got to practice 107 00:08:39.940 --> 00:08:41.980 I'm like, oh boy. Oh, okay. All right. All right 108 00:08:41.980 --> 00:08:49.100 And I and I learned and of course uncle Kimo being a student of Kahawanu Lake, you know the the teaching 109 00:08:49.100 --> 00:08:51.100 He made they made it fun 110 00:08:51.300 --> 00:08:53.300 But I 111 00:08:53.300 --> 00:08:55.900 Had to learn and I had him right became a better player 112 00:08:55.900 --> 00:08:59.300 I became a better player and then I got sent to Doug Tolentino 113 00:09:00.300 --> 00:09:05.740 After that, you know, so I went to see Doug Poʻolouas [confirm spelling] as I call him and and you know, he was 114 00:09:06.300 --> 00:09:14.060 You know, he was teaching teaching me about the differences between using your left hand and your right hand, you know strumming 115 00:09:15.020 --> 00:09:19.500 Making sure you have good chord placement when to do it. Why to do it, you know 116 00:09:19.500 --> 00:09:27.740 The same things uncle Kimo was teaching me, but uncle Kimo and Kamuela just basically got me from zero to you know, like 90 within like 117 00:09:28.300 --> 00:09:31.500 A month and a half two months. Yeah, crash course of how to play all the different chords 118 00:09:31.740 --> 00:09:38.860 Absolutely. And so it became so fun. And then with Doug, you know, there was fine-tuning, you know, here and there 119 00:09:38.860 --> 00:09:42.620 I would ask him, okay, I'm playing this chord, but I don't know why and then he said, okay 120 00:09:42.620 --> 00:09:46.380 This is why but you know, you will learn as a musician that 121 00:09:47.340 --> 00:09:51.660 Depending on who you play with, you can't always play those chords, right? 122 00:09:51.660 --> 00:09:57.340 You know, there are some musicians you play with that they don't know how to complement that style of playing 123 00:09:57.660 --> 00:10:03.340 So you just simplify your playing. It's not that it's junk or wrong or anything. It's a different style. You follow along 124 00:10:03.740 --> 00:10:10.140 You know, so and and for all of you listening, that's why I enjoy playing with, you know, Keao folks and some of our other friends 125 00:10:11.580 --> 00:10:13.980 You know, because everyone has such a different style 126 00:10:14.540 --> 00:10:20.540 Of playing and so I get to learn so much, you know, but it was around that time 2001 127 00:10:21.100 --> 00:10:24.140 where I was actually invited to play with the group ʻAleʻa 128 00:10:24.940 --> 00:10:25.820 because 129 00:10:25.820 --> 00:10:28.060 Yeah, I was invited to play with the group ʻAleʻa 130 00:10:29.060 --> 00:10:30.660 but um 131 00:10:30.660 --> 00:10:32.660 A group Kilinahe 132 00:10:32.660 --> 00:10:38.020 Was was you know, they were already playing. Yeah, and another friend of mine, Kawika McGuire 133 00:10:38.100 --> 00:10:43.460 He was he left the group and and it was myself. I came in as ʻukulele player 134 00:10:44.260 --> 00:10:50.740 Keola Chan jumped on the bass and we had two guitar players Kekoa Kaluhiwa and Kanaʻi Nakamura and 135 00:10:52.100 --> 00:10:55.380 We we were Kilinahe at the time. We won a 136 00:10:56.500 --> 00:11:03.940 Uh, a talent contest at the willows when still open. Yeah, and so we got to play and I had to answer ʻAleʻa 137 00:11:04.420 --> 00:11:06.420 And it was a gonzo 138 00:11:06.580 --> 00:11:08.580 Ryan Gonzalez, he called me. He said hey 139 00:11:09.300 --> 00:11:10.500 so 140 00:11:10.500 --> 00:11:13.620 We heard you playing with your group. You sound pretty good, but are you gonna play with us or not? 141 00:11:14.100 --> 00:11:19.140 And I said oh, hi, you know, I got I'm committed. I mean, we won the contest or we're gonna play 142 00:11:19.220 --> 00:11:24.420 So I probably gonna stick with Kilinahe. I hope that's okay. And and you know, but but ʻAleʻa 143 00:11:24.740 --> 00:11:28.820 I mean, they were already good and they took off. This is when they went from four just to three 144 00:11:28.980 --> 00:11:32.900 Yeah, you know, and so so it was it was totally fun and later on 145 00:11:33.870 --> 00:11:39.870 The two groups later on which later became Holunape and then they would they would merge here and there to help 146 00:11:40.190 --> 00:11:41.870 you know help 147 00:11:41.950 --> 00:11:47.870 Share music with at different occasions, you know, so we I mean, we've had great relationships for 20 plus years 148 00:11:49.070 --> 00:11:51.950 25 26 years. And they were playing before me. Wow 149 00:11:52.900 --> 00:11:54.340 but 150 00:11:54.340 --> 00:11:59.060 But you know, so in in those early 2000s, you know, Kilinahe was the group 151 00:11:59.860 --> 00:12:01.860 We went into record 152 00:12:02.180 --> 00:12:04.910 One thing led to another 153 00:12:05.070 --> 00:12:08.190 You know, we ended up not finishing our recording at that time 154 00:12:08.940 --> 00:12:15.260 Uh, we uh, Keola left the group at the time and it was just me and Kanaʻi because Kekoa had left earlier 155 00:12:15.660 --> 00:12:18.140 But this is when another friend of ours, Jeff Au Hoy 156 00:12:18.780 --> 00:12:22.940 Came in, you know, and he he was playing as part of Kilinahe playing steel 157 00:12:24.080 --> 00:12:28.960 I mean, you know, the music I was able to learn in in that time between 2000 158 00:12:29.520 --> 00:12:32.160 and 2002 or three 159 00:12:32.880 --> 00:12:38.320 I mean, I went from like I said, same with the ʻukulele playing from zero to 90 or 100 160 00:12:38.880 --> 00:12:44.640 You know, the same was true for learning how to play Hawaiian music. And that's funny because that's funny because 161 00:12:45.600 --> 00:12:48.720 You learned all your music from your friends